Eat.

When your arm brushes against mine, softly, I can’t guess the texture and yet I know it. I counted all the hair covering that little bit of surface because I plan to pluck out all thousand of them one by one. I know I can take my time.

When the skin is new, your lips will open to me and I’ll let my tongue in to collect the very essence of you; I will transfer the you in you on the new skin and will lick it clean and leave it exposed to the carbon dioxide I stored in my lungs.

I’ll tie you up with my hair and pull until every muscle is tense and sore. Feel me now. I am pain.
I press my teeth against your skin, it’s smooth and elastic, it doesn’t let me in; I bite harder, slower. The epidermis pops and then it’s like cold butter, I can only go deeper.

I rest my jaw in your arm and let the blood fill up the little spaces that separate us. Only now I feel closer to you, only now I know we can go lower. I sense your moan under your skin, it reverberates in the muscle; murmuring secrets get stuck in my teeth.

I smile and give you up to my hunger. Intoxicating glimpses of light I see behind the door left ajar so that we could always crawl back to ourselves. And I give in and drink all the blue until I am colour blind and can take no more. I am the new you, drained of pain, breathless, tasteless, ecstatic.

myself by Simon Morris

myself by Simon Morris

Skins under the sun

Is he laughing? Is he crying? I think he is both laughing and crying because that’s how he survived all the way through until this moment I am taking in with deep breaths and bitterness. He tells me stories from his childhood: streets, tears, blood, bruises, skin colour, screams, fear, violence.

He tells me about the first time his only choice to get out of fear and abuse was to respond with violence himself. He tells me about his family. He tells me about how his mother told him that he had to be more careful because of the colour of his skin. He learned that very quickly. He had to.
He told me about the police stopping him for no reason, or pointing a gun first and asking the questions later...

I’ve only seen people talk about this in films but I’ve stopped feeling like films are not real a long time ago because the amount of pain I had to take in order to create a story is really real and really tangible. But with him here in front of me, flesh and bones, I feel those horror stories with my blood which is not different from his own.

I wish there was something I could do but I then realise that I am here, and we are together, and I am listening, I am taking what I can under my skin. I am doing something because I am learning that there is a reality I never had to face. I had a fucked up life but not because I am black; his life was hard, and it was made harder solely because of the colour of his skin.

I realised that I could empathise more than what I thought. I am white and I am benefiting from a system of white privilege but I am also queer, non binary, and I have a vagina. I leave my bed every morning knowing that at some point in the day I’ll face abuse, bullying, judgement, neglect or oppression, and something or someone that will push my existence away because of who I am.
I also have to face that in the eyes of the white patriarchy (that includes men and women), I don't have the full right to decide what I can do or not do with my own body. Just the fact that I have a vagina automatically takes that right away from me. I have been bullied or neglected because of my gender, because of my sexual orientation and my freedom of choice to sexualise my body because I am also a sex worker and erotic artist. And there is just no escape.
I remember how traumatic the first kiss with another vulva owner was because of how the society perceived us. I’ve been raped, both openly and deceptively, many times and by people of different genders, and I was left feeling guilty about it because that’s what a vagina owner deserves.

You can be all of those things, you can go through all of those traumatic experiences, and on top of that you have to deal with the society persecuting you because of the colour of your skin. I didn’t have to deal with that factor, and that’s part of what makes white privilege.

I know how it feels like to be punished for just being who you are, and I feel my blood boiling under my skin when he talks about the crimes against his.

But we’ve cried enough. It’s time to act.

So this is what I have been doing and will keep pushing forward to make a difference in this fucked up society. I use inclusive language and when I make casting briefings for my porn films, if I need a POC for a role in my film, I explain what my reasons are, and contextually why the colour of the skin matters in the first place. I make sure I am not fetishizing an ethnicity and terms like “interracial” or “asian beauty” are banned from my porn vocabulary, and I only use them as an example of what is not ok to say. It sounds very obvious to me but I know it’s not the same for many of you out there. Take some time to think if you don’t want to be a waste of oxygen. Thank you.


I remember once observing how the light reflected on Hoss’ skin and I wanted to tell him how beautiful he was, and yet I paused and I had to talk this through with him. He said that it was nice to be considered beautiful based on some physical characteristics. But you see, I constantly ask myself if I am doing the right thing or if I am somehow a perpetuator of racism even if it’s not an active intention of mine.
As an artist, I sometimes observe someone’s skin and I think about how it would look like on a photo or in a film, I do that all the time, and colour really doesn’t matter in the human form, it becomes its own entity in a pure artistic way; I want to be able to express that freely but I am glad I had doubts and I questioned my ethics because I don’t think that art can justify everything.

I like to think of myself as an open minded person willing to learn, I definitely want to evolve to infinity; otherwise, what’s the point of existing if I can’t be the best version of myself at all times, or at least try?

I want to lie in the sun with Hoss and look at our skin and think of beauty, not of how brutal society has been to him because his skin colour is not like mine. I want this horror game to end but it is not possible yet and that’s why I am here writing to you, my dear reader, to make you think, for us to feel uncomfortable or comforted together, to protect those who need us, to stand up for what is right, to be the best versions of ourselves.

I want to treat every human being with kindness and respect, I want us to be equal, but the society shows that we are not, and that’s why I am writing and protesting and pushing forward in every way I can.
We have to acknowledge that people of colour are treated differently so that they can be treated equally and elevated to the HUMAN standards that white people take for granted. Black lives matter, not more than mine or yours, they just fucking matter and we have to say it out loud so that the filthy white privilege can hear it too from the bottom they can dig no more, there is nowhere lower to go.

“I believe there is only one race – the human race.” – Rosa Parks

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Photos I’ve taken during the protest in London, June 2020

Imminent threat of void - PTSD

I just want to curl into a little ball and implode, disappear, have all my particles redistributed into something else and placed in a safer space. My brain doesn’t know we are not there, but are we really here? Where am I? Where are we? And why does it hurt so much if it’s a memory of the past.

I can’t find the towel but I need to leave this room. The knot in my throat is pulsing and growing by the second. I close the door behind me and jump into the cold shower. The hot water will just not come out but I am fighting for life even if there is no threat. It hits me like thousands of needles but I tell myself to breathe deeply and I take it because physical pain is the only thing I know how to control. It feels like it’s filling me up and the skin becomes thick and elastic, I feel like fainting.

I go somewhere else, to nowhere, I dissociate into the void for a split second and I’m back. I am still in the shower and the water is warm now and I am sobbing uncontrollably because some part of me realises what just happened. I remember him taking all of my space, infiltrating every orifice, creating a constant hammering noise in my scull, and I have nowhere to hide if not inside of my own brain. Where I have nowhere else to go, where do I go?

I step out of the shower, the feel of water on my skin is grounding; I lower myself to the ground so that I cannot go any lower and I just exist in a form of human panic. I tell myself that I am here, that I am safe, that he is not in the physical realm here with me. I move my eyes left and right quickly, a rapid eye movement to talk myself out of the memory I didn’t ask for. A dreamlike process but I am awake.

I put my clothes back on and they stick to my wet skin, that’s how I know I am on this plane of reality. I make my way to the back room and sit at the desk, quietly in case he’s listening. And I cry, I feel my lungs lacerating and I have nowhere to go and no one to talk to. So I write. I am so scared and I feel like my own body is not enough to keep this deformed flashback away.

Here I am. I am here. I am not there. He is not here. We are not here together. It’s only me. And that’s the overwhelming healing feeling of loneliness. No one is here. No one has ever been here before and no one will ever enter my universe, no one can, no one I want to allow in here. And that’s ok.

I don’t want to be told what to do and I know that everything is going to be alright. I told myself that story so many times and I made it so far, to the point that comfort from other people feels arrogant. I allowed people to destroy me, I am not going to allow anyone to rebuild me if they are picky about the pieces. I cannot exist if not in my integrity, and only I know how to put myself back into one piece because I was there. Because I am Here.

Where is Here?

portrait of myself by Pedro Terrinha

portrait of myself by Pedro Terrinha

Rope language

I thought about ten different starts to this post but they all sounded like a justification to my lack of words, which usually comes just from a lack of understanding of what I want to talk about, or out of fear of judgement. I know, my dear reader, that you are not here to judge but to find words to justify your feelings.

Many rope bottoms before me expressed their own sub feelings, perhaps better than I could ever do in any language, but I am me and this is my rope language.

And the fact that this is a language to begin with is insane, it really doesn’t sit in my brain and I can’t switch off. The only time I am not me, that I am none of my thousands of brain voices, is when I’m tied up and suffering. The rope and I fight like crazy and my whole system is overloaded and I forget why the fuck I agreed to this, and it all happens in a fraction of a second.

And then.

Nothing. The void. Silence. I am me again.

I am aroused beyond sexual and I remember that it is not the rope I am fighting but my top, and I don’t want to be against them, I want to embrace them and feel every little change and twitch and breath, and be able to capture their facial expressions. I want them to be happy and I can’t fulfil that if I am against them. So... I let go.

I tense my muscles and let the rope dig deeper into my flesh; I do to myself what no one else could ever do, I accept the rope and I want it to disintegrate me. I look at my top and I am begging to kill me, slowly, painfully, so that we both regret nothing and touch the very inside of our darkest secrets we will never find the words for. We are safe. This is the language we now speak. I know what’s coming, they know how to inflict the pain and push my limits.

I can hang in pain for a very long time, I breathe in and I am pain, I travel through my veins, I attack my nerves and I talk to my brain in a form of consciousness: “I know this is painful, I want this, now... stop the impulse.” And the pain stops, I am on the other side, completely in control of my own body, the king of my brain.

When I cannot breathe properly - perhaps the rope is too tight around my chest and diaphragm, or some other times it’s the weight of my own body upside down, or the combination of all these things, - is when I acknowledge and grasp the very fact that one day I will die, and it might as well be today. And I am ok with that.

When I’m tied up and suspended nothing fucking matters, only I do because some part of my brain is convinced we are fighting for survival and another part knows we are going to make it no matter what, we are creating our own patterns and recover from trauma by re-writing our own history. We are strong. We are powerful. We don’t need control because none of this is real, only we are real, only what we think and command to our body.

To me rope is sacred and I struggle to understand the purely decorative shibari, or purely sexual play because to me rope is like a religion, a safe space where sufferance and fight and death and eros are allowed in a raw form; it’s an element beyond physical pleasure; I feel the bond with my top in our soul, something impossible to grasp and touch and dismantle; something that can only happen if we unlock our bodies and connect but that dissipates if we only focus on the physical dimension. A wonderful paradox.

Rope reminds me of why I am in this body and on this planet. Pretty intense, I don’t fuck with it and I am very intolerant of who does. Of course it doesn’t always have to be that deep, but then... why rope? Of course it is exploratory and it’s so much fun to learn and discover new knots and ties and sensations, that all is amazing... But when you tie someone and see the effect every little movement and shift in weight has on your sub; when they scream and moan in pain and tiredness; when they are barely breathing and beginning you to bring them down but you just keep them there a little bit longer because you believe in their strength (and because you’re a fucking sadist, let me tell you) and you can read someone so well; how can you not respect and cherish this incredibly powerful tool that can fuck up both of you to the point of a new existence?

Using rope for pretty decorative tie, or to just immobilise someone for a fuck, and for that only, is like driving the latest model of Tesla to the supermarket down the road... for a pack of middle class snacks. Sacrilege.

And so it begins, my ascend to the old school elitist pretentious community of sado-masochists. You’re welcome. I am very ok with that because I am happy.

Are you?

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From my rope session with Conor James